Defamiliarising Bodies: Warhol's Experimental Films


Andy Warhol's series of experimental films in the 1960s serve as an interesting deconstruction of ordinary bodily functions & behaviours. Each of these films takes a particular action, such as Sleep (1963) or Kiss (1963), and focuses the entire duration of the film on that particular activity. The effect of this as a viewer is to defamiliarise these activities, and to force you to dwell far longer on these activities in your consciousness than you ordinarily would, thus rendering them absurd. To watch people kiss for 40 minutes is an uncomfortable (and boring) method of presenting an activity usually so tender or passionate. This clinical approach heightens the absurdity of the interaction.

https://www.youtube.com/watch?v=GMU3nIsiL3U

Comments

  1. Thanks for this Hannah, a really great example that complicates the ways in which film might be used to shape responsiveness to onscreen bodies, especially when the orientation to the body might be more invested in discomfort than ideas of empathy.

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